Looking at these images I have taken from the book 'The "Smiths": The Early Years', by Paul Slattery, it is easy to see where a lot of the current Indie style is built upon.

Today's Indie Look

 

After looking at where the Indie culture originated, I have developed an understanding of the sort of style one would adapt. 

Dressing down is key. Anything comfortable (except for the skinny jeans), oversized and with a second hand kind of look. 

With this in mind I have put together a moodboard of modern day indie artists that fit this kind of look.

Cinema

As part of my research I watched a couple of films to try and get an understanding of indie culture in the past and the present.

Control (2007) is a biographical film about the late Ian Curtis (played by Sam Riley), lead singer of Joy Division. The film replicates right from his 1973 school boy days spent listening to David Bowie and Sex Pistols, to his suicide aged 23 in 1980.

From this film I understood the emotions and feelings behind Joy Division's music and how deprived the area of Manchester/Macclesfield was in those days.

24 Hour Party People (2002), is also based in Manchester circa 1979-1992. The film is based on factual events and follows the life of Tony Wilson (played by Steve Coogan), a BBC journalist and part owner of Factory records. From this movie, I was able to understand how fast moving and progressive the Indie culture became due to seeing the whole decade that it covers.

There are also some films I have already seen that clearly relate to indie culture.

500 days of Summer (2009) is a romantic comedy based on a young architect who is convinced he has found "the one" after an exchange in the elevator over their mutual love of the Smiths.

In the film the couple do a lot of things that Indie's would do, such as go to record stores, listen to music together, socialise in the pub and visit art galleries. 

Manchester

After the 1976 Sex Pistols gig in Manchester, the city began its history of fabricating some of the most significant indie music to date. 

   Tony Wilson, who was present and the Free Trade Hall, set up a club called Factory Records in 1978 which went on to become a record label in ‘79. In this same year, the label released its first album, ‘Unknown Pleasures’, by the melancholic Mancunian band, Joy Division. The band made it onto the cover of NME and recorded a session for John Peel, a noteworthy BBC DJ.

    1983 saw the signing of another yet-to-be successful Mancunian band, The Smiths by London based record label ‘Rough Trade’. Led by Steven Patrick Morrissey, who was also at the Sex Pistols gig of ’76, The Smiths headed the UK indie scene throughout the ‘80s. ‘This Charming Man’ began a run of 16 chart singles from 1984-1987. A great deal of Morrissey’s lyrics were overtly about Manchester, with lines such as ‘Oh Manchester, so much to answer for’- Suffer Little Children.

      

After the melancholic, melodic indie music of the '90s the Manchester Indie scene took a different turn. This change was mostly caused by the opening of the 'Hacienda' nightclub and music by the likes of The Happy Mondays and The Stone Roses. Enter 'Madchester'.



New Order, The Smiths, The Stone Roses, Happy Mondays, Oasis, Blur, and Echo & the Bunnymen all played at the Hacienda in its glory days. However the status of the club, owned by Factory Records & New Order, began to dwindle in the late 90's due to high rates of crime and drug use in the club itself. The Hacienda officially closed in 1997.

From here on we enter the 'BritPop' era. From what started out as an 'alternative' 'independent' music culture back in the 1980's, we now have what has evolved into mainstream 'popular culture'. Some true 'Indie kids' would even express anger towards bands such as 'The Smiths' for bringing what was an underground scene into the limelight. Similarly in the US, some fans blame bands like Nirvana for popularising their style of 'alternative rock' known as Grunge.